Lewis Nordan's Wolf Whistle account of the Till Murder Essay

Lewis Nordans woman chaser tin whistle account of the Till Murder - Essay ExampleHe claims that his racial identification with the murderers troubled him and that he felt by race and geography ... somehow implicated. He adds, Maybe I believed that as a smock guy who knew the murderers and never spoke out against the injustice, or even asked a question about it at the dinner table, it was simply not my story to tell. Eventually he realized that he could intention his fiction to explore his feeling of implication and the society in which he feels so implicated. In Wolf Whistle, he has written what he calls the white trash version of the Emmett Till murder ... the story of the flock who were on the periphery of this terrible thing, who didnt know what was going on, didnt quite understand their own culpability in the situation.Nordans project in Wolf Whistle has an affinity with that of Toni Morrison and other social theorists and literary critics who in recent years have begun to turn the wish of race theory toward the construction of white identity. A brief examination of their contributions to the field may help us to understand better Nordans novel. In contend in the Dark Whiteness and the Literary Imagination, Morrison describes her project as an effort to avert the critical gaze from the racial object to the racial subject, from the described and imagined to the describers and imaginers and to examine the impact of notions of racial hierarchy, racial exclusion, and racial photograph on nonblacks who held, resisted, explored, or altered those notions. Morrison proposes not to treat ingenuousness in American literature as natural and self-sustaining but rather as something sycophantic, constructed, contingent on an Africanist presence. She hopes to refute the pompous wisdom that because American literature has been clearly the preserve of white male views, genius, and power, those views, genius, and power are without human relationship to and remove d from the overwhelming presence of black people in the United States.Many other literary critics have taken up Morrisons cause and have reexamined the American literary canon with a contrasting gaze. Jerry Phillips discusses how certain literary texts illuminate the pedagogy of whiteness, the path one learns to experience oneself as a element of the white race and goes on to discuss a few of the countless ways in which United States literary whole shebang aided in the naturalization of whiteness. Phillips argues that we critics should commit ourselves to illuminating issues of contingency, historicity, and arbitrariness in the construction of whiteness. Rebecca Aanerud calls for the emergence of a critical reading practice that foregrounds the construction and representation of whiteness and will challenge the way in which many texts by white United States authors are complicit with the discourses of white supremacy. She further argues that Whiteness, comparable race in gener al, cannot be understood simply as a natural phenomenon .... The recognition of whiteness as not a set fact--that is, having white skin--but instead as a product whose center and status must be sustained by a process of reproduction along pre-established lines is essential to an interruption of whiteness as the status quo. Phillips and Aanerud also lay the burden of deconstructing and decentering whiteness at the feet of literary